NaFTftEoT | Nightmares & Fairy Tales for the End of Times

see

https://www.milachiral.de/

self-release 04-06-2021

https://milachiral.bandcamp.com/

Nightmares & Fairy Tales For The End Of Times

Beginning with an ending... 

The album NIGHTMARES & FAIRY TALES FOR THE END OF TIMES follows  a journey through inner and outer spaces in a post-apocalyptic world.

/ Resisting prescriptive story-telling MILA CHIRAL invites all listeners to envision innumerable tales by following the undertones comprised of past and future. Pure energy leads to prospective actions and  an unwillingness to be understood by the sophisticated mind.

/ Accidental encounters and archetypical narratives are caught in the moment and questioned immediately through utopian and dystopian reflections. 

/Existential depths in the unforeseeable back and forth backwaters attempt to catch, with traumatic intensity, a way to cope - a way to belong, again, where ever it might be possible. 

/ Non-linear pathways, loops through circuitous patterns in pursuit of unknown territory between life and death exploring history and drafted future possibilities. 

/ Ending with an open question, which might be another beginning. 

/ The underlying oscillations through times are only visible from far away.

The album is connected to a video project with 14 videos by the following digital visual & dance / performance artists, which will be presented following the release:

onetwothreesun, Aiko Okamoto, A-li-ce, Annelie Andre, ann_on_loops, BeBab, cojasch, Eugenia Seriakov, Yagner Anderson, Kalma, Paloma Schnitzer, Scylla Magda, Verena Sepp                      

in collaboration with the *feminist Video Art and VJ collective http://trialandtheresa.de

More Info: 

https://www.milachiral.de

Presskit here...

MYRIADS of MEMORIES

...are shaping each moment and our future – therefore bridging times and spaces....

Thanks for all your company  and relations throughout this year!!!  Merry Christmas everybody with a sound choreography by my musical alter ego Mila Chiral!!!

cover: Jagna Anderson

https://milachiral.bandcamp.com/album/myriads-of-memories

Scope Session #77

Artist talk with

Kate Danyu Chen /

Mila Chiral

Donnerstag, 08.11.2018  18-21 Uhr

SomoS, Kottbusser Damm 55, 10967 Berlin

 https://www.facebook.com/events/1677297595709114/

Am 20.10.2018  zeigte ich das 

Solo "timelines" 

Live-Performance für einen Synthesizer, einen Computer, einen biologischen Körper und ein Kleid... 

Timelines untersucht das Verhältnis von Tanz und Musik und stellt die Linearität von Zeitlichtkeit aus mehreren Perspektiven in Frage. Multisensorische Wahrnehmungseindrücke, Gedächtnis und  (kulturelles) Wissen verlieren sich in raum-zeitlichen Dekonstruktionen im Mikrokosmus von Körper(n), Sound und Bewegung und dem Makrokosmos des Aufführungskontextes des Stückes.

Workshop zum Thema "Vom Spiegeln zum Dialog - Tanz und Musik" 
                                             
EUROLAB Konferenz 2018     19.-21.10.2018

in der  Akademie der Kulturellen Bildung

Küppelstein 34, 42857 Remscheid (NRW)

Weitere Infos hier:
https://www.laban-eurolab.org/konferenz/

Fotos: Claudia Heland

ENT. ZEIT. Rebellion

(work-in-progress)

Das Kunstkollektiv WAH begibt sich auf die Spur der Mystikerin Marguerite Porète und ihrer Schrift „Spiegel der einfachen, zunichte gewordenen Seelen und derer, die einzig im Wunsch und der Sehnsucht nach Liebe verharren“.

Dieser Entwurf grenzenloser Freiheit wurde, ebenso wie seine Verfasserin, zum Anfang des 14. Jahrhunderts als ketzerisch verbrannt.

Anja Weber – Basssynthesizer, Performance

Jagna Anderson – Stimme, Performance

Dodi Helschinger – E-Gitarre, Performance

Offene Probe im Rahmen einer Residenz an der Tanzfabrik Berlin

Tanzfabrik Wedding/ Uferstudios, Studio 4

Sonntag, den 5. August 2018

18 Uhr

Eintritt frei

(english)

ENT. ZEIT. Rebellion

(work-in-progress)

The art collective WAH follows in the footsteps of the mystic Marguerite Porete and her work "Mirrors of the simple, neglected souls and those who remain solely in the desire and longing for love".

This draft of boundless freedom, like its author herself, was burned as heretical at the beginning of the fourteenth century.

Anja Weber - bass synthesizer, performance

Jagna Anderson - voice, performance

Dodi Helschinger - electric guitar, performance

Open rehearsal in the context of a residence at the Tanzfabrik Berlin

Tanzfabrik Wedding/ Uferstudios, Studio 4

Sunday, August 5, 2018

6 pm

admission free

 
drei D poesie III

Feeling Feeling und

„Un lieu est incompréhensible …“/
„Ein Ort ist unverständlich …“

am

10.2.2018 um 20.30 Uhr und

11.2.2018 um 17 Uhr 

in den Uferstudios Berlin,                                                      Studio 1, Uferstraße 8, B-Wedding.

Im Anschluss an die Sonntagsvorstellung findet ein Künstlergespräch statt.

Feeling Feeling

Wojtek Blecharz POL (Musik) | Liz Erber USA und Sven Seeger DEU (Tanz) | Eugene Ostashevsky USA/RUS und Donna Stonecipher USA (Poesie) | Ensemble KNM Berlin DEU : Theo Nabicht (Bassklarinette) | Alexandre Babel (Schlagzeug) | Theodor Findell (Violine)

Gedichte von Eugene Ostashevsky und Donna Stonecipher, eigens für die Performance geschrieben, werden in eine lebendige, berührende Klang­ landschaft von Wojtek Blecharz verwoben. Der Tanz von Liz Erber und Sven Seeger reicht von meditativen Solo­Bewegungen bis zu hochgradig physischem Partnering. Die Künstlerinnen und Künstler spielen mit den Polaritäten von Einfachheit und Chaos und vergleichen freien mit gebun­ denem Fluss von Gefühlen und Bewegungen. Erlauben wir Veränderung oder halten wir fest?

„Un lieu est incompréhensible …“/„Ein Ort ist unverständlich …“

Jagna Anderson POL (Choreographie) | Gabriel Santander ESP/ARG (Musik) | Éric Sarner FRA/ALG (Poesie) | Anja Weber DEU (Tanz) | Ensemble KomboÏ: Heidi Gröger DEU (Viola da Gamba) | Marija Pendeva DEU (Cembalo) | Lea Søvsø DNK (Kostümberatung)

„Un lieu est incompréhensible si on ne comprend pas son mouvement“/ „Ein Ort ist unverständlich, wenn wir seine Bewegung nicht verstehen“ (Aristoteles).

Drei Gedichte, einzeln erschienen, formen eine Einheit. Éric Sarners Verse werden geblättert und gefaltet. Durch seine Stimme werden sie Klang und Schlüssel der Komposition von Gabriel Santander, die nach dem heutigen Ort historischer Instrumente sucht. Sie entfalten sich in der Choreographie von Jagna Anderson in neue Dimensionen, Texturen und Frequenzen. Zwischen Papiermaterialität, Schrift­Anatomie und Klang erbeben die Weißräume der Gedichte.

drei D poesie II

am 14. Oktober 20:30 Uhr

am 15. Oktober 17 Uhr (mit anschließendem Künstlergespräch unterstützt von mapping dance berlin

Uferstudio 1, Berlin-Wedding

mit Jenny Haack, Hui-Chun Lin, Maya Consuelo Sternel und Anja Weber

zu Poesie von 

Anne Duden und Jan Wagner

Tickets:

http://www.uferstudios.com/veranstaltungen/alle-veranstaltungen/event/2119?date=2017-10-14

Amorphous Alloy 2.0

at

NOW! Festival Berlin

5. Mai 2017

Studio VERLIN

Amorphous Alloy 2.0

anja weber – dance, electronics, e-guitar

jagna anderson – dance, voice

dodi helschinger – voice, poetry, e-guitar

Amorphous alloys are metallic materials with a glass-like structure and astonishing properties. Used as biomaterial for implantation into bones, metallic glass dissolves gradually in organisms and is replaced with bone tissue … We explore possible meeting points between (female) body and machine, melting electronics, poetry, vocals, body/movement and spacial structures into a performative amorphous alloy.

Text: “amorphe legierung” by Dodi Helschinger

with music by Mila Chiral
                                                                                                                                               Fotos: Susanne Soldan

Performomat

7:::echo//delay

April 23, 2017

20:00

Mimecentrum

Studio 2

Mariannenplatz 2

Berlin-Kreuzberg

foto: Dodi Helschinger

performomat is a research machine producing instant performances in durational group setting.

performomat is testing new scores as well as new forms of collaboration and of meeting the audience.

involved are dance, music, sound, voice, visual arts, poetry.

concept/facilitation: anja weber

performance: janna anderson, annelie andre, maayan danoch, elena dragonetti, evan foster, dodi helschinger, sarah menger, maya raghavan, ingo reulecke, susanne soldan, karine thomas, anja weber

in this performomat we work with different shapes of echo e.g. delay.

we give in motifs of movement or poetry and heighten awareness of the motifs of the other performers. these motifs will be repeated in different delay time and varied in their inner dymamics also in excerpts of the original.

while working, on this we are constantly keeping the form of the piece in total in our attention and find a coherent structure of the whole.

out of these dynamic relations and connections evolves on another level a structure full of meaning.

#instantcomposition

free entrance - donations welcome!

please register at

team@impro-per-arts.de

__________________________________________________________________________________________________________________

PERFORMOMAT 6:

METAPHOR: BONE; BODY AND OTHER TECHNICALITIES

concept/facilitation: billie hanne

performance: janna anderson, evan foster, billie hanne, sarah menger, maya raghavan, ingo reulecke, anja weber, elena dragonetti, coline quintin, anni lattunen, maria rutanen

the performers, through handling the physical reality of the body and its surroundings, make dances that allow for a natural complexity of different elements and poetry to occur / take place. they dal with anatomy, physics, dimension, matter and scale fusing into a space both real and imagined.

the composition here unfolds / arises from having each of these elements be housed by what is being made as a whole.

performomat is a collaborative interdisciplinary instant performance machine, an ongoing open access research project, following a rhizomes logic of a group process

curated by jagna anderson

performomat 2// scent#2: where is my when

performomat is a research machine producing instant performances in durational group setting.

performomat is testing new scores as well as new forms of collaboration and of meeting the audience.

sessions are partially open to the audience

performance: anja weber, dodi helschinger, jagna anderson

the session explores body-mind states inspired by olfactory perception within the frame of a time-score. while playing with simultaneous or overlapping phrasing of sound, movement and stillness the performers examine the subtle reticulations of time and space, and question the possible role that the limbic and subcortical processing of sensory data may play in this process.

open for limited number of passive participants – if you are interested to witness the performance process, write us a short message –

– team (at) impro-per-arts.de

saturday, 13 august 2016

doors opens at 7pm

suggested donation 5€

performomat 1// silence#1: scent

concept/facilitation/direction: jagna anderson

performance: anja weber, anna weißenfels, delphine robet, dodi helschinger, maria ferrara, maya raghavan, naima ferré

silence scores are exploring spaces created by minimalist interactions in durational setting. they require a high bodily intensity to perform at low volume level. every score is addressing some realms of somatic or sensory experience. "Scent" gives special attention to the olfactory system in order to inform performative actions.

open for limited number of passive participants – if you are interested to witness the performance process, write us a message –

– team@impro-per-arts.de

30 july 2016

doors opens at 8pm

entrance free, but we are happy about a donation

suggested donation 5€ or more

______________________________________________________________________________________

Sunday 14th June 2015

Running Code